Computational Geometric Aspects of Rhythm, Melody, and Voice-Leading Godfried Toussaint∗ School of Computer Science and Center for Interdiisciplinary Research in Music Media and Technology

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Computational Geometric Aspects of Rhythm, Melody, and Voice-Leading Godfried Toussaint∗ School of Computer Science and Center for Interdiisciplinary Research in Music Media and Technology

Source URL: www-cgrl.cs.mcgill.ca

comm e n c e m e nt s pe e c h Finding Your Voice in the Cosmos Augusta Read Thomas, professor of composition at the University of Chicago, prolific composer, educator, and Pulitzer Prize in Music finalist, delivered th

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MUSIC 3113 Introductory Exercise 1 Add one lower voice, in contrapuntal style, to each of the given lines. Use imitation where appropriate.

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MUSIC 3113 Introductory Exercise 2 Add one lower voice, in contrapuntal style, to each of the given lines. Use imitation where appropriate. Where sequence is used in the given part, it is best to also use it in the added

Source URL: socrates.acadiau.ca

THE ARTIST LARA HERSCOVITCH “Pure musical poetry” (The Courier), Lara Herscovitch’s music is an original blend of modern acoustic/folk with blues, jazz, and pop influences. With her voice “clear and smooth like

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MUSIC 3113 Introductory Exercise 3 Add one lower voice to each of the given trebles. Use imitation where appropriate. Where sequence is used in the given part, it is best also to use it in the added part.

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UNIVERSITY OF ILLINOIS SCHOOL OF MUSIC MUSIC 181 – APPLIED VOICE FALL 2015 AUDITIONS NON–

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Music 3113 Exercise 2 Add one upper voice in imitative counterpoint to each of the given basses.     

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12th International Society for Music Information Retrieval Conference (ISMIRSCORE-INFORMED VOICE SEPARATION FOR PIANO RECORDINGS Sebastian Ewert Computer Science III, University of Bonn

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